What Is Post-Digital Art? Thinking Canvas and Code Together
A perspective on post-digital art uniting canvas and code across materiality, production, circulation, and spectator experience.
Looking at Figurative Painting for the Collector: From Surface to Context
A connoisseurship guide for collecting figurative painting: tactile surface, anatomical tension, provenance documentation, and temporal endurance.
The Viewer in Interactive Art: Collective Portraiture Through Person A
Audience participation, evolving imagery, and collective portraiture through Person A: the individual and multiplicity in interactive art.
On Aniconism, Likeness, and Representation in Art
Distinguishing aniconism from iconoclasm: the boundaries of likeness, figuration, and representation emerging from Islamic art objects.
Photography and Memory: What Lies Inside and Outside the Archive
A critical essay examining the photographic trajectory from framing to archive through practices of memory and representation.
Chua Mia Tee (1931–2026): Quiet Portraits of Social Realism
Remembering Chua Mia Tee (1931–2026): the master of Singaporean Social Realism, anti-colonial solidarity, and de-centering Western modernist canons.
Natural Pigments in Painting and the Meaning of Material
Notes examining earth- and plant-derived colours, the distinction between pigment and dye, and the ontological role of materiality in figurative painting.
Where Does Artistic Agency Begin in AI Art?
The role of the artist in AI art: formulating the inquiry, establishing constraints, and exercising aesthetic agency in algorithmic production.
After Hockney: How Figurative Painting Mourns
Following David Hockney's death on June 11, 2026: an appraisal of figurative painting's half-century defense and how the gaze transforms across media.
The Devon Rodriguez Debate: Figurative Labor and Attribution on Social Media
Analyzing the viral controversy between Gavin Snider and Devon Rodriguez: artistic labor, attribution, and authorship in the age of algorithmic performance.